An excellent disc in which the three piano trios are the stars, the performance of these works by the Bernard Roberts Piano Trio is all that you could wish for, with a strong sense of ensemble playing throughout leading to wonderful performances... and the Music for Winds a splendid disc, one which is expertly performed throughout by the Magnard Ensemble.
This is a fine companion disc to volume one, one which provides further proof that Stephen Dodgson was an accomplished composer for the piano, whilst the playing of Bernard Roberts is excellent once again.... Another wonderful disc that all fans of the music of Dodgson will want
The music on these two discs conveys a spirit of grown-up charm, clarity, bell timbres, catchy rhythmic cells and gamelan fertility... On the technical side we get first class piano sound. The project is lifted by the great artistry of Bernard Roberts – excellent both in the articulation of much dazzling fast music and in probing the poignant heart of the more reflective sections.
It feels incredibly special to have had this concerto written for me. It actually also turned out to be Stephen’s last composition, and so it is even more of an honour to be the recipient and to have had the chance to work on it with him. I have since gone on to perform various other new works, but this concerto will always be my most treasured commission.
Bernard Roberts' playing is excellent throughout especially in the way that he can articulate the differing passages and intensities within a single movement... I found this disc to be rewarding and a fine addition to my growing catalogue of Stephen Dodgson discs... These works have for far too long been hidden in the shadows of his works for guitar... A worthy investment for anyone interested in twentieth century piano music in general and the music of Stephen Dodgson in particular.
Announcing the release today of the first instalment of the Toccata recordings of Stephen Dodgson's music for winds, performed by the Magnard Ensemble. Much of the repertoire brings his sense of fun to the fore, often through rhythmic mischief or an insouciance that recalls Poulenc, but it also has that particularly English strain of lyricism that suggests the impermanence of beauty.
Solway Suite once again demonstrates Dodgson’s impeccable credentials for creating haunting melody, pastel colours and agreeable illustration, and for varying moods... Given the top-notch gallery of players, it is only necessary to relate the excellence of the performances, individually impressive and with meaningful interaction, and the recording captures every sound and nuance.
A concert performance of Stephen Dodgson’s chamber opera Margaret Catchpole: Two Worlds Apart – a tale of misguided loyalty, passion and fate. The concert marks the 200th anniversary of the real Margaret Catchpole’s death. Dodgson’s 1979 chamber opera tells the story of Suffolk heroine, criminal and chronicler Margaret Catchpole. The opera immerses us in the internal battle between her own good character and values, and her heartfelt loyalty to Will Laud, a smuggler – the man she loves. Libretto by Ronald Fletcher based on the novel by Richard Cobbold. Background and full synopsis > A pre-performance talk by Anthony Cobbold will be given[...]
Cellist Leo Popplewell performs Stephen Dodgson’s Partita at a Bach-themed recital forming part of the Cambridge Summer Music Festival. ‘My idea was to explore the influence of Bach on twentieth-century solo cello repertoire. Stephen Dodgson’s Partita from 1985 draws upon Bach’s language through the lens of Benjamin Britten, whose three suites from the latter half of the twentieth century form a staple of the modern cello repertoire. Renowned for his prowess in musical invention, Bach’s motivic efficiency is explored in Elliott Carter’s Figment from 1994, a six-minute work encompassing a vast range of musical colours whilst based thematically on a single musical idea.’ The recital takes[...]
If Italy was the ‘cradle of the renaissance’, it was also the ‘playground of the Baroque’. Julian Perkins and Sounds Baroque’s The Italian Connection celebrates the infusion of Italian music throughout Europe with a programme that juxtaposes works by esteemed Baroque Masters with Baroque-inspired tonal works by Stephen Dodgson. Dodgson works include Invention No. 5 from Set 1: ‘The Worm’; Invention No. 5 from Set 2: ‘Plush and Roses’ and The New Terpsichore, Book 1. Julian Perkins harpsichord Sophie Barber violin Karin Björk violin Henrik Persson cello Sounds Baroque Italian Connection programme Find out more about Concerts at Cratfield.
Pianist Emma Abbate and the Tippett Quartet perform a concert of piano quintets, at the Penkhull Festival of Music, including Stephen Dodgson’s Piano Quintet No. 1 which they recently recorded on the Toccata Classics label and a voted a MusicWeb recording of the year. Programme Mendelssohn: String quartet no. 1 in E flat major op. 12 Dodgson: Piano quintet no. 1 in C Chris Brammeld: string quartet Schumann: Piano quintet op. 44 in E flat major St Thomas’s Church Manor Court Street Penkhull Stoke-on-Trent Staffs ST4 7LG
On what would have been Stephen Dodgson’s 97th birthday, pianist Emma Abbate and the Tippett Quartet perform a concert of quartets and quintets in Pisa including Dodgson’s Piano Quintet No. 1. Programme Haydn: String quartet op. 33 no. 1 Dodgson: Piano quintet no. 1 in C Schumann: Piano quintet op. 44 in E flat major I Concerti della Normale Teatro Verdi Via Palestro 40 56127 Pisa Italy